By Paul McEwan

Consistently ranked as one of the simplest Canadian videos of all time, punk-rock mockumentary Hard center Logo (1996) records the last-ditch reunion journey of an getting older rock band led through vocalist Joe Dick (Hugh Dillon). good acquired through critics on the time of its unlock, the movie keeps to get pleasure from a faithful overseas cult following.

This exciting research of Hard center Logo explores a number of the film's key topics, together with the accountability of documentary filmmakers to their topics, the improvement of shut male relationships, and the connection among paintings and trade in Canada, specially for traveling musicians. Paul McEwan examines Hard center Logo within the context of different variations of Michael Turner's 1993 novel of an analogous identify, in addition to opposed to different movies from McDonald's celebrated occupation. that includes interviews with McDonald himself and others concerned with the movie, Bruce McDonald's ‘Hard center brand’ provides an interesting examine certainly one of Canada's so much mythologized movies.

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Extra info for Bruce McDonald's 'Hard Core Logo'

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Produced, written by, and starring Michael Scholar, Jr, it is officially an adaptation of Turner’s book, McDonald’s film, and Baker’s screenplay. Scholar says that he had the idea for a stage version not long after seeing the film in 1996, but figured that someone would have done it already. He ended up making a name for himself with a version of The Black Rider, a stage show by Tom Waits, William S. Burroughs, and Robert Wilson. Scholar and his father produced the show for the Edmonton Fringe Festival in 1998, took it to the New York Fringe Festival, and toured with the show on and off for the better part of a decade, ending with a six-week sold-out run at the Tarragon Theatre in Toronto in the fall of 2008.

Baker is repeatedly torn between his love for the source book and respect for Turner as a fellow artist on the one hand, and his need to follow his own narrative instincts and the demands of the screen on the other. Because Baker was involved in the film’s extensive and drawn-out pre-production, he also manages to chart the draining process of trying to get a film made. As with many films, there are numerous points when the project seems dead in the water, only to be resurrected again and again. By the time the film began shooting, about a year and a half after his first meeting with McDonald, Baker had been through extensive rewrites.

In particular, Dillon’s influence on the script meant that much of Joe Dick’s politics were stripped out of the film. A. to write new songs for the play, songs that again use Michael Turner’s lyrics from the book. Keithley has been central to the Vancouver punk scene for thirty years, but it is not just his connections to the place and the story that made Scholar want to work with him. It was Scholar’s sense that Vancouver punk sounded different than Toronto punk, that the former was closer in style to the more aggressive west coast sound while the latter was more influenced by New York bands 39 BRUCE McDONALD’S HARD CORE LOGO like the Ramones.

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