By James Rankin, Anna Ullrich

Animation Presets, a complicated Clone software, scripting help, and a strong new colour correction process are only the various purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium helps you to just do that, proposing a chain of initiatives that discover each element of Adobe's animation and results powerhouse. via targeting the components that may be complex for pro clients - even if simply because they current thorny matters or simply because they draw on thoroughly new beneficial properties - this quantity presents the targeted, sensible guide you want to maximize your After results productiveness. each one lesson presents need-to-know information, confirmed strategies, and most sensible practices for quite a few After results 6.5 features: from uploading and dealing with pictures to viewing and enhancing layers, animating style, and extra. The significant other CD comprises QuickTime educational videos, resource code, and records for the entire book's initiatives.

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3. Go to time 6;25, and change the Orange Body layer's Opacity to 0%. 4. Go to time 7;00, and change the Green Body layer's Opacity to 100%. Adding the green section to the final comp [View full size image] 33 34 Now you add the purple section: 1. Go to time 10;00, add the Purple Body comp to the Timeline, and add a 0% Opacity keyframe to the layer. 2. Add a 100% Opacity keyframe to the Green Body layer. 3. Go to time 10;10, and change the Green Body layer's Opacity to 0%. 4. Go to time 10;15, and change the Purple Body layer's Opacity to 100%.

Apply Effect > Transition > Radial Wipe to both layers. 31 32 5. Add a 100% Transition Completion keyframe to each layer. Settings for the Radial Wipe effect 6. Go to time 0;20, and change each layer's Transition Completion property to 0%. The logo is now a lot more interesting. Let's add it to the End Tag comp: 1. Return to the End Tag comp. Create a new solid that's named and colored Pale Yellow (RGB: 252, 253, 162) and that's at comp size. 2. Go to time 0;10, and drag the Style_Logo comp to the Timeline.

00. 9. Copy both keyframes, go to time 0;10, and paste the keys on the Bevel Highlight layer. Timeline with Vector Paint keyframes Save and preview your work. As you can see, the bevel appears to be painted on by invisible hands. 64 65 Completing the end tag Now you'll add the company's Web address and animate the text's tracking so the text expands onto the screen: 1. Return to the Section4_Yellow comp, and go to time 3;00. 2. com. 3. Position the layer so it's centered below the logo. 4. Add a 0% Opacity keyframe.

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